Doctor Reid · off the clock

The art room.

Two experiments you can step into, and the walls I’ve painted one square at a time.

Interactive exhibit · 3D · headphones on

The Institute for Inner Space

A scrollable museum of the psychedelic mind — six rooms, a specimen cabinet, a silent disco, and a map that never closes.

Enter the museum →doctorreid.com/museum
Session console · generative music

HELM — the inward voyage

Music for psychedelic and ketamine-assisted sessions. You hold the wheel; the music is the wind in the sails.

Take the wheel →doctorreid.com/helm
The street art room

One square at a time.

Pixel portraits in house paint, on cinder block, clapboard and the back of a skate ramp. I haven’t been up a ladder in a little while — but I plan to get back to it. These are the walls so far. Tap any piece to look closer.

You're awesome
You're awesomePixel mural on cinder block. Every square on the wall is one pixel of the original.

From pixels to paint.

How a mural gets made, in three frames.

01 · The grid
01 · The gridEvery mural starts small: a portrait reduced to a few dozen squares and a handful of greys.
02 · The wall
02 · The wallEach square becomes a block on the wall, mixed by hand to match.
03 · For scale
03 · For scaleUp close it is just squares. Step back across the street and a face arrives.

The walls.

Each image loads pixelated and resolves — the way the murals work from across the street.

Portrait on clapboard
Portrait on clapboardPainted over peeling siding — the wall’s own texture left in.
Portrait in umber
Portrait in umberThe windows become part of the face.
Player one
Player oneEight-bit characters, one cinder block per pixel.
Half-pipe portrait
Half-pipe portraitOn the back wall of a skate ramp.
You’re awesome, from the alley
You’re awesome, from the alleyThe same wall from behind the fence line.

Night shifts.

Work lights, half-finished walls, and a winter return visit.

Night shift
Night shiftSome walls got painted after dark, under a work light.
Halfway
HalfwayA portrait blocked in; the rest of the wall still white.
The same wall, in winter
The same wall, in winterShot on film, after the snow.
Signing a canvas
Signing a canvasThe pixel style, brought indoors.

On the news.

From the archive · KBYU

A reporter climbs the ladder, I explain the squares. A blast from the past about painting pixel portraits on the side of buildings — 85 seconds.

More of the work — and new walls when they happen — at my personal site.

reidrobison.com/art ↗